Ecce Homo
It really was in disrepair. Something had to be done. A century of humid air had taken its toll on Elias Garcia Martinez' Ecce Homo, so a well-meaning parishioner attempted to restore the fresco:
Am I the only one who sees here a metaphor for the distressed state of the "pre-conciliar" Church, and its "renewal" in the years following Vatican II?
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